That is why the Seagate Expansion 8TB External Harddrive might be perfect for your needs. iMac. External hard drives utilize several connection types such as USB 2.0, USB 3.0, Firewire 800, eSata, & Thunderbolt (each with varying transfer speeds). Best Storage for Video Editing: Samsung 970 EVO Plus / PRO. Then BACKUP your RAID array with single eSATA drives and a toaster, or an LTO tape solution. Forget Drobo, unless that is your backup solution. REPLY – everything is flexible. Keep it simple, stupid, and wieldly powerful. Ambisonic vs scratch for the ambience-layer of a 5.1-film? Build it yourself, and you are on your own. If your working on a small project and you just want a simple backup, then RAID 1 would work for you. Original poster. The consensus seems to be that while when it works, it works great, it doesn’t always work. Stop complaining unless you sound really groovy. What Does It Take to Join a Motion Picture Industry Guild. It supports drag-and-drop, effects, transitions, 3D video editing, text and caption overlay, video stabilization, easy … For back up we use an eSata Sonnet R400, you can also use a similar brand (Areca etc.) Let's find out factstory Rainer Wirth phone_0049-177-2156086 Mac pro 8core Adobe,FCP,Avid several raid systems. You’ll find that many drive manufacturers will place the interface speed on the front of the box to make it seem as if the drive speed is faster than it really is, which in reality its not. Share media and projects with your team in real-time, and get the tools you need to manage, organize, and secure your content. Best Products; The best desktop computers for video editing — 2021. https://forums.creativecow.net/readpost/292/2490, Jonathan Schilling Vertical Sales Manager Proavio Storage by Enhance Technology Inc. 12221 Florence Ave. Santa Fe Springs, CA 90670 Dir: 562-777-3498 Main: 562-777-3488 X106 Fax: 562-777-3499 Email: [email protected], Tom, here`s what works for me. That’s how it’s done. one of our previous articles that gives a good rundown of external hard drive solutions, Geek Stuff and their diagram on the different RAID configurations, 2 Dream Gear Loadouts for Documentary Filmmaking, Bending the Rules of the Three-Act Structure, The Ins and Outs of Hollywood Film Distribution. SSDs provide much better performance than hard drives, and so it would be best to work only on SSDs. Despite being open source, the software is constantly updated to bring you new features and smooth performance. See my previous post on that. Not only does this system have plenty of storage space to house all kinds of footage, but the DS1618+ is a NAS, meaning that it can be accessed from anywhere in the local network. FCPX for doc work and a bit of shameless self-promotion. 4K, 8K, and Beyond. We would also like something scalable, where in the future it is easy to add disks for more storage. I should point out I currently have no backup system in place. Buy OWC (Other World Computing) SSD hard drives, and toss them in as you wallet goes down the road. Login or Sign Up, Forums › Storage & Archiving › Best storage setup for video editing. Optimized for Video-Production, QNAP NAS provides collaborative editing environments with high bandwith connections such as 10GbE, Thunderbolt™ 2, and Thunderbolt™ 3. Do RAID set ups like this tend to be more or less reliable than something like Drobo? I’ve spent some time researching the options and it seems depending on who’s giving the advice, I see different answers. Video editing software tends to use large amounts of RAM very well . If you set this up at the start of every project it’ll be easier to organize your media as you bring it into the app through post production. They will give you 1/6 to 1/8 the performance of the Promise Pegasus (about 90 – 100MB/sec), so if this is for a local Mac workstation, I see no reason to go thru this aggrivation, when you can just plug in a Pegasus and get teriffic performance. Many of those disenchanted by Drobo have turned to Pegasus since it’s based on conventional RAID and seems to be much speedier. REPLY – you see drive failures during initial setup, because drives fail. Now, make note of the bandwidth of your codec, for instance the bandwidth for a Sony FS700 AVCHD that I use is 3MB/s at 1080 running at the standard 30fps. Recently, we bumped up against a hard limit on our storage capacity - maxing out two 4TB external drives and an additional 2TB internal! Or have questions about storage? And remember, there are other brands as well. Run out of room ? There are several different video storage solutions that accommodate different needs in terms of volume and workflow. I’m looking to see what’s the best storage setup for Video Editing (I'm in the process of researching what I need to build a video editing PC -- I have a decent idea on CPU, GPU, PSU, MB, RAM, etc.). Choosing a fast storage solution can be a little tougher than picking the fastest computer processor, as there are more … Aug 3, 2016 9 0. Hitch old Dobbin horse to the wagon. So we need an appropriate solution to backup raw media and final edited projects, and preferably do so automatically. Reply to this Discussion! REPLY – you can’t swap drives on ANY RAID system. The downsides of LTO are many, namely that it is tape based and tape will deteriorate over time and is sensitive to the environment in which it is stored in. I would go for a expandable FC solution. Each one of the storage solutions above are viable for video editing, with the exception of possibly cloud storage (at least not in realtime). REPLY – even if you were an IT genius, you would buy a RELIABLE solution from a professional company that will give you lots of support. These 4bay raid systems have an internal controller and work with eSata, FW800 and USB. Remember there is no right or wrong answer since solutions exist for any type of production workflow you need. Below I’ll give some quick rundowns on the various video editing storage solutions for filmmakers that I have come across in my experience and research over the years. So I thought I’d post my question on a forum where I know I’d get recommendations regarding my specific needs from experts far more knowledgeable about a topic that, I must say, is quite daunting for the uninitiated. Modern RAID systems usually run at RAID5 or RAID6, and the only time you pop out a drive is when you have a drive failure. The peer to peer support community for media production professionals. I just sold my Early 2009 Imac, and now I,m waiting for news of the Imac upgrade in fall (if finally happens). SSD/HDD. The broadcast requirements are 50Mbps and we’ll collect about an hour of footage per week with a final edited length of about 30 minutes. Synology may be more reliable, but it also seems to be the most difficult to set up out of the three. While these storage solutions aren’t ideal for housing full projects, they are good for offloading and backing up footage when on location (provided you have a wifi or network connection). Cloud storage is becoming cheaper and cheaper with the storage size getting larger and larger. As a big Raid you can also use SAS, which is very fast and reliable (the same brands). Any updates on how the g-tech is working? Thank you all for your responses, particularly Bob for your very thorough and extremely useful response. As a professional video editor, it’s paramount to evaluate your work on a monitor (or on monitors) that offers the utmost in terms of color accuracy. Others say stay away from raid all together since I don’t appear to be collecting massive quantities of data. Download Best Free Video Editor 2020: software to create and edit video for free. While I’m not specifically asking for a brand recommendation, though if anyone has experience I’d appreciate the insight, what I’m more asking for is advice on my specific set up. His was a very helpful response and I didn’t mean it to sound sarcastic in any way. From the three brands that you suggested, The Pegasus is your best choice. 3. Do RAID set ups like this tend to be more or less reliable than something like Drobo? OS on which drive, scratch on which drive, etc. If you’re editing 4K footage or higher, you should consider 32, 64, or even higher RAM. No one has the time do deal with failing drives, but everyone has to. Can’t afford more storage? I thought that maybe the different answers were partly due to the variety of user needs and each case is unique. Storage and memory. ALL RIGHTS RESERVED, SMPTE Earns Two 2020 Emmy Awards for Technology and Engineering, Crew in a Box Uses Pocket Cinema Camera 6K and ATEM Mini Pro for MTV Movie & TV Awards: Greatest of All Time, Post Break’s “How To PNYA” Highlights the Organization’s Work in Helping NY Post Pros Thrive During Covid and Beyond, Ma Rainey’s Black Bottom Cinematography (with Tobias Schliessler ASC) GCS256, ATEME Makes Video-Compression History with Emmy Awards Triple Crown, Rohde & Schwarz Supports Egyptian National Media Authority in Major DVB-T2 Transmission Network Expansion, Archiware releases Version 6.0 of the P5 Software Suite, Waves and Ocean Way Collaborate on the New Waves Nx Ocean Way Nashville Plugin, Mo-Sys introduces the one-stop 4K virtual studio, Location Manager Spotlight courtesy of Universal Studios Florida’s Production Group, Autodesk Opens Nominations for 2021 Flame Award, Telestream Unveils Latest Version of Wirecast, Launch of New WZVN Set Includes Brightline LED Lighting Upgrade, Hiltron Communications Expands Product Portfolio with Formation of ESA Microwave GmbH, CARTONI UV-C BOXER is First COVID-19 Disinfectant Device Designed for Film Industry, Grupo Record’s TV Capital Makes Headlines with Dalet, TV5 Philippines’ Bella Bandida Action Series Shot Using Blackmagic Pocket Cinema Camera 4K, MOG Ensures Streamlining in Live Remote Acquisition of the Premier League for the Icelandic Audience, Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions, CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports, Broadcast Solutions sees fast growth in Nordic countries, adding Kim Gaardvik as Sales Manager Norway, Austrian Audio Expands Availability Across North America, Eventide Receives NAMM’s Milestone Award for 50 Years of Innovation, Undercurrent Labs Uses Blackmagic Design Workflow for New 8K Live Streaming Robotics Lab, The Audio Engineering Society Welcomes Jonathan Wyner as President, Maxon Announces the Acquisition of Japanese Distributor Business, Jonathan Winbush: a journey in motion graphics, Densitron adds two new products to acclaimed UReady TM control surface range, Small Giant Produces Big Results for Top TV Clients by Optimizing Pandemic Production Techniques, Soul Cinematography (with Matt Aspbury) GCS255, DHD Audio RX2/XC2 Audio Mixing System Goes On Air at NRJ Norway, KORG Believes in Music and Excites with Future Innovations, MultiDyne Chief Operating Officer Bob McAlpine Retires, On-Hertz Unleashes Nubo, a Cloud-Based Radio Production Studio, SMPTE Hollywood Section to Host Virtual Panel Exploring MOVIELABS 2030, Cinematographer Declan Quinn Brings Decades of Cooke Lens Experience to A Suitable Boy with S4/i Primes, Solid State Logic’s ‘MEET THE PRODUCER’ Live Q&A Featuring Marc Daniel Nelson on January 21st at 6pm GMT, Goldcrest Post Adds Veteran Colorist Alex Berman, yellaUmbrella Integrates OOONA Convert into its Stellar and Nebula Solutions, Source Elements Connects With Presentations at NAMM’s Believe In Music Week, Fujifilm Announces January 28 Release Date for FUJINON Premista 19-45mm T2.9 Lens, Hollywood’s Legendary Michelson Cinema Research Library Finds a New Home at the Internet Archive, Lifetime Achievement Nominations Announced for the 2021 MUAHS, AJA Releases Two New 12G-SDI openGear Solutions, N1 TV Balkans Broadcast Network Transitions to PlayBox Neo, Ensure Performance in Premiere Pro With A Few Quick Settings, Cinematographer Simona Susnea brings “Unseen Kingdoms” to light, Tones and I Fly Away Music Video Completes Post Production with DaVinci Resolve Studio. In terms of less turn-key solutions, I’d be happy to set up a RAID 5 configuration, RAID 10, or RAID XX if others thought that I, a capable but ignorant consumer, would be able to accomplish such a feat. They all fail. First things first, you want to determine how much storage you will need based on the format you will be using during the shooting/capture process. that will give you very good performance as well, with varying prices, depending on how much storage that you want. Another RAID system that many fellow filmmakers and editors I know use is RAID 5. Over 20 video and audio effects for all levels of eхperience. As I mentioned in my first post, all brands you see advertised on Creative Cow are good brands. If you want something more substantial then you’ll want to check out Dell or IBM, leaders in network storage. REPLY – this is a correct observation. I’d also like to know what is the best organizational scheme, i.e. Many of those disenchanted by Drobo have turned to Pegasus since it’s based on conventional RAID and seems to be much speedier. Plus the idea of a proprietary system seems somewhat dangerous to me and many others. We want the fastest computers, the best graphics cards, the most RAM, etc. You already mentioned three brands that will all work. I need something reliable that I wont have to spend much time, if any, troubleshooting, something that I won’t have to mess with more than replace a drive every 6 months or so, because I simply don’t have the time. Now keep in mind with Solid State Drives there are no moving parts inside so the failure rate is substantially lower. Our current setup is a Mac Pro quad core with a 1TB internal drive with the OS and applications and a 2TB internal drive for media storage, projects, scratch, etc. Newbie Private Message Joined: Aug 19, 2012 00:15 Messages: 22 Offline . Here’s a quick summary of typical options: Portable hard drive – either solid state (SSD) or with a spinning disk, portable hard drives are a go-to for a variety of reasons. It also features ultra-quick DDR4 RAM to effortlessly carryout system-intensive tasks, including high definition gaming and video playback. Best harddiscs to me are Hitachi Ultrastars (now Toshiba). As I mentioned, my research has resulted in many conflicting views based on individual user experience. EVO is a high-speed shared storage solution for video editing, color grading, and VFX workflows. Before I begin any film project I like to take stock of my data capabilities (I currently run a RAID system). While I would’ve gone with Pegasus, since it seems like it’s exactly what we need and in our price range, it unfortunately only comes with Thunderbolt, and I have a Mac Pro which doesn’t have Thunderbolt, so I can’t use it. When you buy a box that has no drives, and you go to Newegg or OWC or Frys to buy your drives, this is what you suffer thru. You will connect via Thunderbolt (only choice), which will give you between 600 – 800 MB/sec. This mashes up my drives into one big drive, where the speed and space of those drives combine to give a large amount of storage, with fast transfer rates. REPLY – Of the three brands you have just mentioned, the Promise Pegasus will give you the best performance in a RAID enviornment. Jfernandez macrumors newbie. In addition, your QNAP NAS is ready for 4K and other high resolution content with instantly scalable expansion enclosures, all while your content is kept safe with RAID Protection and Industry Standard AES 256-bit Encryption. The Drobo and entry level Synology are network attached storage devices that connect via ethernet. The Pegasus is within your budget, will arrive in working condition, where you can plug it in and go to work. The downside is that it's more expensive to set up a RAID 5 array because it requires at least four drives. Depending on what you need, you may need to look at different types of cloud video editors (or, it might turn out that desktop editing is what you need). LTO usage appears to be on the downswing, as other storage solutions are becoming cheaper and more reliable. This allows you to  have greater speeds and overal storage space, but the key addition is its ability to save you from drive failures. Get this info and then head over to Digital Rebellion and use their handy video space calculator, or download Digital Heaven’s useful VideoSpace app. Microsoft, Google & Dropbox also offer business solutions which provide 1TB of storage for each team member for a fairly low price. Turn on/off layer opacity with specific color value, Text list of timestamps for multiple clips, Make a single ray of light gradually fade out on one end –. Synology may be more reliable, but it also seems to be the most difficult to set up out of the three. The higher the core frequency, the more CUDA cores, the better the performance of the graphics card In 4K editing, we recommend the graphic cards with at least 6GB video memory and 192 bit width. metazone21. Best Storage Setup for Video Editing. Only the best video editing computer will do for video editors or producers. What is the best storage setup for maximum performance for video editing PC? Dec 23, 2012 21:15. If you want the high-end ones, go with GTX 1080 Ti and RTX 2080 Ti. I was initially very interested in Drobo as advertised, since it seemed like it was exactly what I needed: easy to use, flexible, reliable. https://www.premiumbeat.com/blog/video-editing-storage-solutions I’ve read up a lot on Drobo, Pegasus and Synology systems to see if any of these would work for me, as well as on various RAID configurations, but am still unsure which, if any, is best for my needs. Video editing gets super easy with this CYBERPOWERPC desktop that has a 6th generation 2.8GHz quad-core, Intel Core i5 processor. Do you have other storage solutions that you’ve successfully used that didn’t make the list above? I would like to make sure the reliability of my storage isn’t dependent on my limited knowledge of proper configuration. Hopefully that will allow enough storage. Here’s a ranking of storage … My last reply as a thanks to Bob was very genuine. Desktops. Plus the idea of a proprietary system seems somewhat dangerous to me and many others. Thank you all for reading such a long post and for your thoughts. Take the concepts we just talked about with RAIDs, but now apply network access to it. If your working in an environment where you have several post production members working on various aspects of the film or video to get it ready for editing, and your working within the same location, then a NAS (network attached storage) setup might be the way to go. New group operations to make objects the same width and height added. 4. Another format that I often use, RED Raw, running at 30fps is 162MB/s at 4K. Add backup, restore, storage to it like, tape drives running RAID 1 (not 0); or removable hard drives, or Pioneer DVD or BDR drives and a tested brand of disc. I had the same issue with the Pegasus, so am planning on going with the G-Tech 12TB. Furthermore, the Seagate Expansion 8TB drive comes with in-built power management. I think we have a decent budget for now, between $3k – $5k. Unfortunately, what I found by reading hundreds of reviews online was that while many people said it was great, just as many others experienced not only drive failures during initial setup (which is not necessarily Drobo’s fault), but failures of the Drobo unit itself, plus many people said it was too slow for video editing. A popular option for video editors is RAID 5, which can suffer the loss of one drive without losing any data. I don’t mean to sound angry. The same can be said for 100% of the brands that you see advertised on Creative Cow. You can use just two drives to set up a RAID 1 configuration, but the goal here is … I think HDV only utilizes 25 Mbps, so does that mean I need to change my recording format to DVCAM or something with higher bitrates, or can something be done on the back end in Compressor and allow me to stick with HDV? This is your work and your career.